Southeastern Organization for Jazz Arts Events

Some people dream in color... do you dream in jazz?
Events Home
Our Mission
"Jazz in the Home" Series
Artist Spotlight
Quarter Note Campaign
Paul Mitchell Jazz Awards
Press Articles/Releases
SOJA Associated Events
Past SOJA Events
Georgia JAM / April 2012
Events Mailing List
 
 

 
 
 
 
 

Sunday, March 8, 2009

Atlanta's newest venue: your home

For the April issue of Downbeat, I penned an article about hosting jazz concerts in private homes, a nationwide trend. I interviewed Phil Clore and Mary Jo Strickland of the Southeastern Organization for Jazz Arts for the piece. For nearly an hour, we talked about everything from SOJA’s monthly Atlanta house concerts to bringing jazz to a younger generation. The following is an edited transcription of our chat.

How did the SOJA house jazz concerts get off the ground?

Mary Jo Strickland: It’s been almost 10 years. I just got a great piano and had a friend in Florida who I wanted to come up and christen the piano. It started out just having a party to celebrate the piano, and then my neighbor said, this is cool, we should do it all the time.

I didn’t have any idea what I was doing. I just knew that I liked the music, and I had a piano, which people liked. What I found is that people really liked playing in a home because they got listened to.


Phil Clore: I thought it was absolutely fascinating because I had never heard of this kind of concept. I met up with Mary Jo, and we worked together to create something. That’s how SOJA was initially born. Two years ago, we had the concerts at Ken Gregory’s at 800 East studio. We converted it once a month to a performing arts center. We’d go in and put the chairs up, move equip around, and set it up.

We didn’t get the support or the attendance that we had hoped for. It’s situated in a neighborhood, and there’s not a whole lot of parking. So we got together a SOJA advisory board. They came up with the idea, let’s do what you were doing at Mary Jo’s home, but have other people open their homes up.

As we started meeting people and having events and building our e-mail list, we started putting that out there, would you like to have one of these in your home? Mary Jo would communicate with interested people how to put it together, what to do, and they would select the musicians. We’d get the information out. They’d invite their friends and neighbors and other people who were on the e-mail list.


MJS: Which has expanded our list because the concerts have happened in different places.

PC: It’s moved from Powder Springs to Conyers and in town to out of town. Whoever decides they’d like to have it, that’s where it will be. It’s created a network of people who have never met before in different areas around Atlanta.

Do artists get paid well? Do they like playing house concerts?

MJS: I never quote a price to the musicians. They’ve found that they usually make enough to make it worth their while. I think it’s a pleasant gig for them; they don’t have to be out late at night. They usually play two sets with a break in the middle — and they get listened to, which is a big perk because a lot of musicians are used to playing restaurants where people are talking, blenders are going off. It’s a different experience, too, then a club because it’s usually earlier in the evening.

PC: The musicians can mingle with the people. They like that. Plus, kids can come. That’s the important thing. We’re also able to highlight underage musicians during the break. That’s our next generation of listeners that we need to develop. You’re finding more and more really young people who are starting to perform.

MJS: When I had things at my house, I would have kids come. Neighbors came and had their kids fall asleep under the piano. I liked having that atmosphere where kids can come and hear the music. I think that’s one of the perks. Kids can't go to a regular jazz club. I’ve invited kids as long as they’re old enough to be quiet.

From what I understand, either SOJA or the person who’s hosting the concert books the musicians. Does SOJA have a say about who performs?

PC: We like to make sure it’s not the same ones because people will get bored. We look for new talent and folks who are already established.

MJS: The one thing I’ve learned about musicians is they’re always looking for gigs. Once they find out that something’s happening, they find you.

The SOJA house concerts occur once a month throughout the metro area. Tickets are usually $20-$25 per person, which includes a $5 donation to SOJA (the rest of the money goes to the artists). During our chat, Clore emphasized that SOJA isn't just about house concerts and said he hopes to someday create a jazz performance space in the city. SOJA’s organizers also hope to more widely promote additional outreach activities such as jazz education in elementary schools.
 
 

Turn your home into a concert venue

Musicians enliven even low-key parties

The Atlanta Journal-Constitution

Tuesday, December 09, 2008

Art Bowman clears away the tables and chairs in the den, drags out the folding chairs and transforms his Lawrenceville home into a concert hall. A musician walks in with a guitar. About 40 people show up, lay down $20 a head and share the covered dish they’ve brought.

Together they all partake in a cozy evening of intimate, high-quality music.

Known as “house concerts,” these evenings are a growing phenomenon around the country —- and here in metro Atlanta.

Just a few weeks ago, Bowman, by day a self-employed writer on accounting trends, hosted the Wrights. They’re a couple —- Adam from Newnan and Shannon from LaGrange —- who have appeared at the Grand Ole Opry about 20 times.

Bowman let it be known that the couple likes vegetarian food, and that made them feel welcome as they mingled and ate before the show. The Wrights’ dressing room was the upstairs guest bedroom. They offered their sweet harmonies, bittersweet ballads and fun rockers beside the big-screen TV and the fireplace.

“It’s really a house party that features musicians,” Bowman said.

For performer and audience alike, house concerts offer meaningful shows untainted by the distractions of clubs, where the music often competes with bar blenders, pool players and chatter buzz.

Bowman makes it clear: This is a listening venue. If you want to talk about the kids’ soccer game, go outside.

While house concerts have steadily grown more popular over the last decade, such shows have long been around. In the ’60s, they were called “rent parties” to help starving musicians drum up money to keep a roof over their heads, said Fran Snyder, who operates a Web site that brings together hundreds of players and house-concert hosts.

A decent payday

In a way, today’s house parties are bringing music back to its American roots, where people got together to share songs on a porch or in a living room, he said.

In metro Atlanta, house concerts take on different tones. Mary Jo Strickland hosts jazz artists in the living room of her cottage home in Decatur.

Like many of these hosts, Strickland is a social person who loves to entertain. She hosted her first house party a decade ago when she asked a Florida musician friend to “christen” her new piano.

People like being near the music, she said, even if they have to sit near the fridge.

“You can reach right out and touch the artist,” said Cam Graham, an east Cobb County resident who enjoyed seeing and speaking to a favorite artist of his, singer-songwriter Susan Gibson, at a local house concert.

That show was on an outside deck, and when some neighborhood kids climbed atop the fence and called out to the gathering, Gibson made up an impromptu tune about climbing fences and playing basketball.

For performers, these shows have grown from being fill-in spots between club dates to their big-money show in the town.

“I just got back from three house concerts in Utah where I made $4,000,” said New York singer-songwriter Amy Speace, who has played house shows in Atlanta. “They are like the underground railroad for a performer.”

On a good night, a performer can earn $1,000 playing a house party, including the sale of 20 or more CDs. Many earn only a few hundred dollars at a club.

The artists, Speace said, are incredibly grateful to the concert hosts, who are often enthusiastic music fans who don’t pocket a dime. (That’s also how hosts say they avoid breaking zoning codes in residential areas.)

Andy Ditzler, a 42-year-old library employee who plays in his own band and loves to bring friends together over music, built an extra room onto his Grant Park home for house concerts.

At his shows, the house lights really are the house lights, and the best seat in the house might be a cushion tossed on the floor.

As for Bowman, he’s always wanted to dip a toe into the music business. He likes to tell how in college he “almost managed a band.” Later he wrote music reviews for local publications.

Now he gets to run his own show with professional touring musicians. After the concert by the Wrights, the young couple, like many of the performers booked by Bowman, slept over.

And in the morning they all talked over bagels and coffee.

STRIKE UP THE BAND

For more information on the Bowman house concerts: www.myspace.com/bowmanhouseconcerts

Mary Jo Strickland has formed a nonprofit that helps people host jazz house concerts: www.soja-events.org

 
 
GOOD WORKS

Jazz students will improvise with donated instruments

By SANDRA ECKSTEIN
seckstein@ajc.com
The Atlanta Journal-Constitution
Published on: 04/05/07

Most people, when their kids go off to college, tuck away no-longer-needed musical instruments along with other high school memorabilia.

Now a local jazz organization is hoping parents will drag those trumpets, flutes and other items out and donate them to a summer camp for young jazz musicians.

(pictured at summer camp last year)
The Georgia Youth Jazz Orchestra is seeking instruments for this year's
sessions in June.

"We decided, as a jazz group, that we need to support people like professor James Patterson at Clark Atlanta University," said Phil Clore, co-founder of the Southeastern Organization for Jazz Arts.

In February, the group launched an instrument drive that runs through April 29.
"We'll take pretty much any instrument, from brass and woodwinds to a guitar or triangle," Clore said. "We'll take a piano if it's in good enough shape."

The instruments will go to Patterson's Duke Pearson Summer Camp and the Georgia Youth Jazz Orchestra, which is celebrating its 10th anniversary this summer."We teach them jazz history and theory as well as play," said Patterson, who has taught music at the college for 45 years. "We try to saturate them in as much music as we can."

This year's camp for elementary to high school students runs June 11-15, culminating in a jazz concert.
 
(*added by SOJA:This year's camp is June 11-15, 2007 in the Park Street Music and Arts Complex. The camp ends with a 90-minute Jazz Concert for parents and other guests.)

 Patterson said some students learn on school instruments, so they don't have an instrument to bring to camp.

In addition to the instrument drive, Clore said they've also planned several jazz concerts to raise money for sheet music, instrument repair and scholarships to the camp. Concerts are scheduled for April 15 at Paris on Ponce, April 22 at Studio 281 and April 29 at Clark Atlanta. The concerts are free, but donations for the summer camp are requested.

Donated instruments can be dropped off at Paris on Ponce at 716 Ponce de Leon Place in Midtown (404-249-9965) Wednesdays through Sundays, noon-6 p.m. Information: www.soja-events.org.

*This article can also be accessed if you copy and paste the entire address below into your web browser.
http://www.ajc.com/search/content/living/stories/2007/04/04/0405lvgoodworks.html

FOR IMMEDIATE RELEASE:
 
 
Contact: Phil Clore
SOJA, Southeastern Organization for Jazz Arts, Inc.
678-576-9922
THE SOUTHEASTERN ORGANIZATION FOR JAZZ ARTS, 
ANNOUNCE THE "DONNEZ VOS INSTRUMENTS" CAMPAIGN
 
Atlanta, Georgia -February 5, 2007


George and Judi Lee, owners of Paris on Ponce and Phil Clore, Board President of SOJA, the Southeastern Organization for Jazz Arts, are announcing a musical instrument collection campaign called "Donnez Vos Instruments" (translated "donate your instruments"), in support of the Duke Pearson Summer Camp and the Georgia Youth Jazz Orchestra, directed by Clark Atlanta University Music Professor, James Patterson.

"As the owners of Paris on Ponce and Le Moulin Rouge, Judi and I have always personally sponsored the Arts and we especially know how important it is to encourage young people to stay in the momentum of musical education. This is our way of supporting Professor Patterson and the Duke Pearson Summer Camp."

"This campaign, "Donnez Vos Instruments", will provide an opportunity to encourage families who struggle financially to purchase a musical instrument for their budding musician. We are asking the community to donate anything from a tuba to a piccolo or a harp to a triangle", states SOJA Co-Founder, Phil Clore

All donations of musical instruments, large or small, can be dropped off at Paris on Ponce 716 Ponce De Leon Place (the big orange building near City Hall East) beginning February 14th from Wednesday to Sunday from 12 noon to 6 PM.

The campaign will end Sunday, April 29th. A receipt of donation is available upon request.
For more information:

Paris on Ponce
716 Ponce De Leon Place
Atlanta, Georgia 30306
404 249 9965
info@parisonponce.com
http://www.parisonponce.com